Theatrical Reviews TRIBECA 2017 REVIEWS: Marc Meyers’s MY FRIEND DAHMER examines the real terror behind the creation of a killer 25th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Marc Meyers's MY FRIEND DAHMER examines the real terror behind the creation of a killer 25th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Oren Jacoby’s engaging documentary SHADOWMAN doggedly profiles New York's enigmatic East Village artist, Richard Hambleton 24th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Oren Jacoby’s engaging documentary SHADOWMAN doggedly profiles New York’s enigmatic East Village artist, Richard Hambleton 24th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Julia Solomonoff's NOBODY'S WATCHING sidesteps escapist gags or Oscar-hounding histrionics, delivering subtle realism, patiently uncomfortable scenes, and a whole lot of empathy 17th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Julia Solomonoff’s NOBODY’S WATCHING sidesteps escapist gags or Oscar-hounding histrionics, delivering subtle realism, patiently uncomfortable scenes, and a whole lot of empathy 17th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Elina Psykou's SON OF SOFIA takes us into the deeply dark realm of an abused and neglected child’s imagination 17th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Elina Psykou’s SON OF SOFIA takes us into the deeply dark realm of an abused and neglected child’s imagination 17th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Julian Rosefeldt's MANIFESTO is an ambitious avant garde experimental feature film that works as a mosaic and doubles as a video installation. It's also REALLY good. 12th Apr, 2017
Theatrical Reviews TRIBECA 2017 REVIEWS: Julian Rosefeldt’s MANIFESTO is an ambitious avant garde experimental feature film that works as a mosaic and doubles as a video installation. It’s also REALLY good. 12th Apr, 2017
